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Honors Theses from 2015

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Epic Nonsense: The Genesis of Me Prometheus, Emerson F. Sieverts

Honors Theses from 2013

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"New Music to the Very Ears of God": Heloise the Composer, Taylor Ann Ashlock

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Searching for a Voice in Bongo-land: Bongo Fleva Music and the Global Imagination in Neoliberal Tanzania, Fiona A. Balestrieri

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Musically Understanding the Emotional Content of Speech, Kevin D. Deisz

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The Harrowing of Hell, a Paschal Oratorio, Patrick Connor Benedict Dittamo

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Dvořák and James: Pragmatism and the Music of America's Fin de Siècle, Matthew F. Reese

Honors Theses from 2011

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An Experimental Analysis of the Role of Harmony in Musical Memory and the Categorization of Genre, David H. Witkowsky

Honors Theses from 2009

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"Signed, Sealed, Delivered, I'm Yours": How Music and Musicians Propelled Barack Obama to the Presidency in 2008, Jacob Charron

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"The Fall of the House of Usher": Making the Musical, Michael James Johnson

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The Ethereal System: Ambience as a New Musical Identity, Daniel Siepmann

Honors Theses from 2008

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Creating Time: Rhythmic Processes and Metrical Forming in Schoenberg's Opus 22, "Vier Orchesterlieder", Olivia Lucas

Honors Theses from 2003

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Success in unity : John Corigliano's score to The red violin (1999), Michael Robert Glaser

Honors Theses from 2002

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The festival of world sacred music : recontextualizing religious ritual on the secular stage, Deborah Justice

Honors Theses from 2001

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The "grandness" of light opera : Giuseppe's [sic] Verdi's influence on Gilbert and Sullivan's The pirates of Penzance, Leonidas F. Lagrimas