Date Thesis Awarded

7-2012

Document Type

Honors Thesis

Degree Name

Bachelors of Arts (BA)

Department

English

Advisor

Christy L. Burns

Committee Member

Christopher J. MacGowan

Committee Member

Colleen Kennedy

Committee Member

Arthur Knight

Abstract

In order to most accurately convey what McCarthy, a man who believes "there's no such thing as life without bloodshed," is getting at, I must first examine the Western genre and how this conceptualizes its chief protagonist "the cowboy." From here I turn to an examination of how identity is formed from the perspective of McCarthy's white male cowboys, focusing on how the places that they come from and their experiences have led them to become the men who they are. Bearing this in mind I will then discuss the trilogy's peripheral characters, including Mexicans, indigenous people, and women. Despite their relative lack of development as characters, they often challenge and deepen our understanding of McCarthy's universe. We come to see that despite our cowboy protagonist's best efforts to achieve the romantic visions of their imaginations, they ultimately can do nothing but fail.

Creative Commons License

Creative Commons License
This work is licensed under a Creative Commons Public Domain Dedication 1.0 License.

Comments

Thesis is part of Honors ETD pilot project, 2008-2013. Migrated from Dspace in 2016.

Share

COinS